Heroes have become invisible. Their virtues have become unexplainable in the language we now use to explain human actions . . . . Great deeds somehow keep on being done, but we have lost a capacity to see them as great. Biographies grow to ever-greater and greater lengths, while the subjects of them shrink into the shadows of the pedestrian, the ordinary, and the relentlessly disclosed secret. And no history textbook can to-day pass muster unless it highlights the insignificant, reduces absolutes to local accident, and eliminates grand narratives in favor of a collection of tales, full of sound and fury, whose chief goal is to elicit pity, sympathy or guilt.
The hero is the story, not just of a good deed, but a great deed—a great deed which climbs the unclimbable, endures the unendurable, holds fast to the lost. But who can be a hero when climbing is so routine that Mt. Everest has become littered with discarded bottles and cans? The dark side of our bottomless wealth and comfort is a cynicism which disarms any motivation for sacrifice, and a suspicion that, in a world of comforts, heroes can only be play-actors. Something other than the heroic must be motivating the heroes, we seem to reason, because there is so little need for heroism. . . .